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Priya Tex Since 1966

How it's made

From silkworm to saree

A silk saree passes through many hands. These are the steps, and we check the work along the way. The warp is the set of threads that run along the saree. The weft runs across it.

Planning

  1. A hand pointing to a color on a silk shade card, beside hanks of colored silk

    Specification

    We decide the color, the type of silk, the weight, the length, the border and the pallu before anything else.

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  2. A peacock border being drawn on graph paper, beside a stack of punch cards

    Design

    For our fully handmade pieces, the motifs are drawn on graph paper and punched into physical cards that guide the jacquard on the loom. For our semi-automatic pieces, the design goes into a computer that controls the jacquard.

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Silk from the silkworm

  1. Silkworms on mulberry leaves in a bamboo tray

    Mulberry and silkworm rearing

    Silk farming is called sericulture. Silkworms are raised on fresh mulberry leaves and eat for weeks before they are ready to spin.

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  2. Fine silk threads joining into one thread on a wooden reel

    Reeling

    Fine threads of silk are spun together to make one thread of raw silk.

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Preparing the yarn

  1. Silk yarn being twisted on a row of spindles

    Twisting (throwing)

    Strands of raw silk are doubled and twisted into yarn. The warp is twisted from 1 to 4 ply, depending on the weight of the saree.

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  2. Cream silk hanks on a rod, resting in a steel vat

    Degumming

    The yarn is boiled to take out sericin, the natural gum in silk. This leaves it soft and bright.

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  3. Pink silk hanks being lifted out of a vat of dye

    Dyeing the warp and weft

    The warp and weft are dyed in hanks to the color in the specification, then dried.

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  4. Pink silk being wound from a hank onto a bobbin

    Bobbin winding

    The dyed hanks are wound onto bobbins, ready for warping.

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  5. Maroon silk being wound onto a pirn on a hand-turned wheel, with a shuttle in front

    Pirn winding

    The weft silk and zari are wound onto pirns, the small spools that sit inside the shuttle.

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Setting up the warp and loom

  1. Maroon and gold warp threads stretched along a warping frame

    Warping

    The warp threads are laid side by side at the set length and width, with zari for the border alongside them. This decides how many sarees the warp will make.

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  2. Two pairs of hands rolling a maroon warp onto a warp beam

    Rolling the warp (beaming)

    The warp is rolled tightly and evenly onto the warp beam, which goes on the loom.

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  3. A hook pulling a warp thread through a heddle on the loom

    Setting up the loom

    Each warp thread is passed through the heddles (drawing-in) and the reed (denting), or tied by hand to the last warp on the loom (tying-in). The reed sets the width of the saree.

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Weaving

  1. A hand passing a shuttle through the warp on a loom

    Weaving the length

    On a handloom, the weaver opens the warp (shedding), passes the shuttle across (picking) and presses the weft into place (beating), thousands of times. One warp makes one long length holding several sarees, each with its body, border and pallu.

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After the loom

  1. Shears cutting a woven length of maroon silk

    Cutting

    The finished length comes off the loom and is cut into single sarees.

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  2. A magnifying glass held over the gold border of a maroon saree

    Quality check

    Each saree is checked from end to end for broken threads, floats, breaks in the pattern and color match, and for length, width and weight.

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  3. A needle mending a loose thread near the fringe of a maroon saree

    Mending and finishing

    Small faults are mended by hand, loose threads are trimmed, the fringe is finished and the saree is pressed.

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  4. Hands placing a folded maroon saree in a box

    Packaging

    The saree is folded, tagged and packed, ready for you.

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Two ways we weave

Ask us which way a piece was made.

How we check quality